Section 31 was originally meant to be a new Star Trek TV series on Paramount Plus. The Covid-19 pandemic put those plans on hold. By the time that the pandemic was over, Michelle Yeoh’s career had been catapulted into the stratosphere by Everything, Everywhere, All at Once. Wanting to continue working with Yeoh Paramount re-tooled the series as a stand-alone movie and had the script rewritten 11 times. In this episode we take a look at the Section 31 movie. We discuss its placement within the Star Trek canon. We talk about whether it’s a good vehicle for the Georgiou character. We also debate how this would have held up a series. We also examine the plot and characters and get into how each element worked within the film.
Since we have four guests this week, we do not have a five-minute controversy.
This week Stephanie is cohost and Keith, Assad, and Nate join the cast.
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The Mandalorian has been one of the most successful Star Wars series under the Disney era of Star Wars. Telling smaller stories than the Skywalker saga, The Mandalorian is a more character focused story that plays into fan-loyalty to the Mandalorian mythos as well as a devotion to the baby Yoda character, Grogu, created for this series. In this episode we examine The Mandalorian season 3. We discuss the characters and plot for the season and how the overall storyline compares with the prior seasons. We’ll examine how the changes made in The Book of Boba Fett alters this series and whether we think that was was warranted. We’ll also get into the broader Star Wars universe and how this season tries to tie up some loose ends from other media.
The series for the MCU’s newest title character, Wonder Man dropped earlier this year. It tells the story of Simon Williams as he navigates the Hollywood scene in an attempt to land his dream roll. His secret: that he has super powers in a world that mistrusts them. In this episode we discuss the first season of this new series. We talk about the portrayals of Simon and his friend, Trevor Slattery. We examine the plot and and get into our feelings of how the series is paced, its themes are developed, and whether it serves the characters. Along the way we also debate the merits of how the series depicted actors, daily life in the MCU, and the role of a super-powered individual in society. We also question the role of the Department of Damage Control and what its exact mandate is supposed to be.
This time, The 42cast, is proud to welcome prolific animation writer